Screenshot: Shroom and Gloom Sometimes it feels like you can’t open Steam without seeing a new roguelike deckbuilder for sale. Don’t get me wrong: I love the genre, but it gets a bit stale after a while. That’s why a game like Shroom and Gloom feels so fresh. Entering Early Access today, it melds the deckbuilder format with a psychedelic, gross-out art style and novel gameplay mechanics that make it stand out from the crowd. Published by Devolver Digital and developed by South African Team Lazerbeam, this first-person dungeon crawler trades the genre's standard 2D maps for 3D exploration and a culinary combat system that requires you to literally eat your fungal foes to survive. Shroom and Gloom is played from a first-person perspective. While that doesn’t drastically alter the core combat loop of a deckbuilder, it does boost the immersion a bit. I enjoy the fresh perspective, at least. Screenshot: Shroom and Gloom What really sets the game apart, however, is its dual deckbuilding system. Not only are you building a combat deck to take on foes via tight synergies, but you’re also managing a separate Explore deck. These support cards are used between battles to heal your character, discover new cards, interact with the environment, or upgrade your existing deck. It makes decisions between battles just as crucial as the combat itself, and it’s vastly more engaging than just clicking down branching pathways on a static map. Screenshot: Shroom and Gloom Another unorthodox aspect is the card scaling. If you build an Explore deck that allows you to fully utilize those quiet moments between encounters, you can continuously modify your cards throughout a run. It turns weak starting abilities into overpowered attacks and game-breaking super-weapons. While most deckbuilders rely heavily on damage mitigation, Shroom and Gloom revolves around taking damage—and then immediately eating your enemies to heal it. You can add modifiers to foes so that, upon death, they become edible and bestow energy, health, or both. You can season, skewer, roast, and physically devour the fungal myco-monstrosities, or throw them into a pot to brew game-changing soups. Screenshot: Shroom and Gloom Because Shroom and Gloom is an Early Access release, it’s naturally going to need a bit of time to ripen before hitting 1.0. Developer Team Lazerbeam estimates a 12- to 24-month Early Access period to get things just right. The current serving offers two distinct zones to explore, complete with different characters and tailored decks, but there's a lot more on the way. The studio plans to gather direct community feedback while they cook up the final version. Ultimately, the standout feature of Shroom and Gloom is its vibe. There’s something deeply unsettling about the secrets hidden in the Gloom, and I have a feeling that the more we uncover, the worse it’ll get. It doesn’t help that you’re literally told you’re being "ripened for consumption" during the game-over screen. And the unlockable characters include “concerned parent,” who I’m assuming is looking for her son–the Paper Boy, which is the default starting character. This is a dungeon crawler that promises to be as weird as it is strategic, and I'm looking forward to what Team Lazerbeam has in store for us in version 1.0.

Make it so mine. Please, Le Creuset. Hear my plea. Star Trek x Le Creuset. If you want to give nerd cred where nerd cred is due, look no further than your nearest Trekkie. If you're reading this, the thing I'm writing, then that's me. The Trek fandom has endured the worst insults while simultaneously spearheading some of the things all of nerddom holds dear, like conventions, letter writing, canon and merch. We've had 60 glorious years of captains, starships, tribbles, Klingons and the Federation and our imagination knows no bounds. There are generations upon generations of fans. Some came into it way back when Lucille Ball gave it the boost it needed to become a thing in the first place. Some watched TNG because their parents were watching it and didn't come to appreciate it until later. Some just discovered it with Lower Decks, Discovery, Strange New Worlds and Lower Decks. The point is, there's a lot of us, in every demographic, every class, every single place in every nation. And we've got money to spend if you've got the wares. Well. Someone told Le Creuset, and I'm fearful my wallet will never recover. I thought it was too much- certainly there's no way Le Creuset would go THIS far. I mean, it's not just one beautiful enameled cast iron with a Starfleet Delta. There's a Galileo casserole. A Spock spoonholder. A mother flippin' COMMUNI-GRATER. Friends. Trekkies. People who like to cook. I have one thing to say to you: Now, I'd have bought a Le Creuset anyway. Do I have other brands of enameled cast iron that work just as well? I sure do. But the beauty and timelessness of a Le Creuset makes me want one. The fact that they stand by their lifetime warranty makes me want one. The love and craftsmanship they put in each piece makes me want one. And now, they went full bore into Star Trek with it. My bank account will absolutely never recover. Let's explore just a FEW of the things I need to get my hands on yesterday and fear I never will: I mean, it even goes fast. You can tell by the way it is. Here's the 500 dollar Enterprise Round Dutch Oven with Starfleet Delta Knob. I weep. Or this Star Trek Collection Klingon Round Braiser with Klingon Trefoil Knob coming in at 450 dollars with a whole lot of phaser fire? Fireworks? Some sort of spacial anomaly? I mean, we'll get on that later. But wait, there's more. For 60 bucks you can get your hands on a Gorn, Balok or Talosian Mini Cocotte. OMG, it's a Galileo Rectangular Casserole for $150. To be honest, when I saw it in the main collection image I thought it was a butter dish but wanted it no less. Now I can make enchiladas in it instead of just putting out the butter. This is the Communi-Grater. No, I'm not just calling it that. That's what it's called. It's $68 dollars, and I simply must acquire it. It needs to go right along with our Enterprise pizza cutter, and I will accept no substitute. There's also Spock mugs and spoonrests and a host of other amazing, kitschy things I want to buy so damn bad. Say you were a crazy Trekkie and wanted it all? It'd set you back 1578 dollars but that's a small price to pay to have amazing quality super nerdy cookware, I think. Hint hint, literally everyone who's planning on buying me a birthday or Christmas present. If you're even a little geeked out by this and want to...engage in commerce...here's the link. Make it so.

This is the beginning of a series that's written by a neurospicy for ...well, the rest of you. Or the rest of us. Or both. Whether you like it or not, the apps the kids are using are relevant in pop culture. So whether, like me, you actually enjoy some of the weird shit coming out of the "clock app" and can find uses for it in your life (pleasure counts) or you're one of those who's halfway to a Satanic panic about it and how terrible it is, you really can't deny its relevance to society at large, and to ignore it would be ignorant, frankly. I fought that fight with Twitter long before it became the place most journalists gathered. So instead of acting like we aren't all doing a little doomscroll here and there, or acting like it's the worst thing since sliced bread, DnD, video games, or whatever else everyone's saying is rotting our brains, let's discuss. Maybe we'll agree, maybe we'll laugh. Maybe we'll learn something. Tawpics: Death of The Pastor's Wife It's a bit of a double dip but Tiktok is sure still talking about The Death of The Pastor's Wife. It's not hard to see why. Not only is it triggering the hell out of those among us who lived any sort of life inside the evangelical church and are now outside it, it's incredibly triggering for anyone who's been in an abusive relationship. Leaving abuse is the most dangerous part, and the more places that this kind of thing is put under the spotlight as the heinous horrible shit that it is, the less likely entire congregations are going to accept that whatever the pastor says from the pulpit is God-breathed, ethical or anything other than maniacal. Please, keep the conversation going. It might save someone's life. Keith Lee Getting Cancelled This one is interesting, because largely, Keith Lee has been unproblematic. He's a darling in the TikTok community, and often doing charitable work and giving honest reviews of places all over the country. It's pretty wholesome content, or it's seemed to be, and over the years he's given many a business his trademark boost. Recently, this influencer was almost in a fatal car crash, and his take on it did not go over well. So what was the problem? When relaying the story of the crash (where someone else did die) he was overly expressive about God saving him and how grateful he was that he didn't die. Whether or not he meant it that way, quite a few people, Christian and non, took it as him basically celebrating God was in his corner when other innocent people died and what...didn't have God in their corner? I think it'd be a lot like making it through cancer with your best friend and saying God saved you because you were faithful. Maybe you believe that, and it could even be true, but the implication is that the person who died wasn't as worthy of being alive as you. My hot take? I think it was insensitive. Incredibly. Someone else wasn't so lucky. But I also don't think it was malicious or intended. I think the problem with social media influencers is that there's a lot less steps between them and the post button than there is with celebrities. Most of them got started doing it on their own and even if they do now have a team telling them what's not the best idea, they're not always listening. And when something traumatic happens and they want to talk about it right away, they may not be thinking clearly. So is it in poor taste? Yeah. Should he maybe have taken more time to consider what he was saying? Also yeah. But does it make him a bad person? No. And does it mean we should all stop supporting him because of this? Also no. Go ahead and @ me. The White House "Arcade" and Why They're Gonna Get Sued ICYMI, the White House recently decided it was time for them to get with the times and be all cool and shit, and put some video games up on the White House website. You know, the official government site for the White House that represents the entire nation. That one. Instead of tasking, I don't know, anyone, with any kind of skill in game production to do any kind of actual developing of any kind of game, though, they decided, hey, what if we take beloved IP from classic retro video games and turn it into a racist, horrible propaganda machine. Meet the Tetris clone where you build walls to keep immigrants out. I only wish I were kidding: And the official response from Tetris. Update: Looks like the PPS had an impact, as the Tetris clone is gone from the site as of publish date. Now let's talk about MAGA stealing the SEGA logo: And finally, today, the piece de resistance as Nintendo is busy launching all kinds of marketing frenzy about the anniversary of Legend of Zelda. Here's the craziest one: Legend of Trump. Complete with insanely obvious copyright infringement and obvious lies about how well intentioned Trump is in making America Great Again. Now this isn't a fully realized game on the arcade site. They're not capable of anything near that. But it IS a pretty obvious infringement at a moment when Nintendo is wholly focused on their Zelda IP and announcing plenty of new games/merch/etc. Which makes this the dumbest thing they've done RE: Video Games all week. If you want my hot take, you already missed it, and I just hope Nintendo goes after this idiocy with the fervor they do for just about anyone who dares mess with their IP. Well, that's all we have time for in this week's Tik Tok Tawk. Join us for what I'm sure will be just as crazy nonsense next week. Or don't. You still have free will. I think.

Screenshot: Death of The Pastor's Wife. Netflix. Netflix Documentaries have taken the platform by storm recently. It seems every month or so there’s another high profile true crime story that was in the headlines pretty recently that they’re doing a deep dive into. Whether this is a good thing or not remains to be seen, as at least in a few cases, it felt like irresponsible journalism or at the very least, that the documentaries left out some crucial details. Death of The Pastor’s Wife is the latest iteration, and before we get into it, I’m going to, as the person writing this, expose my biases. I am someone who deconstructed from the evangelical Christian church, having grown up in it. An “exvangelical,” if you will, and that means that I’ve got years of experience inside places like Solid Rock church. For better or worse. But mostly worse. There’s a lot that can be said about J.P. Miller. He’s running all the greatest hits from the Narcissistic Abuser playbook. His father started the cycle and he picked up the baton directly from him and ran with it. He’s a groomer, he’s coercive, controlling, and manipulative. If he can’t use direct brute force, he’ll attempt emotional manipulation, literally writhing around on the ground and whimpering like a hurt animal, hoping to garner enough sympathy to regain control. Mica was 13 when she came to the church. Thirteen. I’m not sure if you recall being thirteen, but it’s a really fucked up age to be, for almost everyone I’ve ever talked to about it. Hormones, puberty, the weird in-between place you find yourself in where you’re not really a little kid and you’re not really an adult. You need somewhere to belong. You want to feel loved and special. You’re ripe for picking to people who prey on vulnerability. A church, at the heart of it, is a community of people who share the same faith, and as evangelicals like to say “a body.” And this body betrayed Mica early on. She was initially married to a high school sweetheart she met in the church, Jeremy, at only 18 years of age. He was heavily involved with the leadership at the church, which led Mica to meeting JP, and becoming his assistant, a babysitter to his kids, and leader of the worship team. It’s a whole lot of status and power for someone so young, and a whole lot of attention from a guy 15 years older. What I’m glad for in Death of The Pastor’s Wife is that they make it pretty clear that something went wrong in this death investigation. There’s a very clear, very damning pattern of behavior that started with the early grooming and unfortunately, ended up with a very suspicious suicide shortly after Mica began to pull herself out of the relationship for good. And if you know anything about escaping abuse, you know that the danger escalates exponentially when you actually leave, and just after you leave. JP’s stalking behavior was in broad daylight. It was reported to the police. It was witnessed by church members. I’m going to repeat that part. It was witnessed by church members. The thing that I think the Netflix documentary shies away from that I wish it wouldn’t is the fact that while this sort of thing can and does happen outside the trappings of the evangelical church, its rhetoric and culture make it that much easier. We’re not afraid to say it when it’s a non mainstream “cult” but I think it needs to be said: Mica Miller was in great danger at least in part because her husband was a pastor. In the hierarchy of the church, women are oftentimes defined by the men they married. Mica got close to JP initially because her first husband was involved in the church. When JP wanted what someone else had, he took it, and called it “God’s plan” to make something good out of his “sin.” You see, it’s not an isolated incident for a charismatic narcissist to come to power in a “Christian” church. It’s fairly normal. It’s just not talked about so much, because it’s so often swept under the rug. And it’s never their fault. They were tempted by Satan, tested like Job, caused to stumble by women who were wearing spaghetti straps and 13 year olds in swimsuits at youth group pool parties. Behavior is constantly surveilled and judged. The hierarchy is oftentimes dictated by proximity to leadership and superficial things like physical appearance. Everyone’s an informant, so if you “stumble” everyone else will know before long. Not only that, but questioning authority? Doubt? Those are things that will get you pushed out of the same circles you worked so hard to get into. It’s why I can so easily believe that the congregation didn’t blink when JP checked Mica into a mental facility. She was taught, as I was taught, that your husband was appointed by God as head of the house. You were to obey, and serve, and not question. You were to believe that as long as your husband was a “godly” man, there’s no reason to question him. Doubt is deviance. Defiance is punished. Questioning is sinning. And that’s how she got admitted to an inpatient mental hospital with JP taking her car, electronics, and other belongings, and how she ended up on the phone to the police, calmly asking them to intervene. They of course didn’t. But how? Why? JP was at the scene before people should’ve been allowed there. Why? It’s possible he was a chaplain, or even if not, had been involved enough in community affairs and outreaches to have buttered the right bread with law enforcement. And butter that bread he did, because post documentary articles have since revealed that JP Miller once ran over an ex wife with a car, reversed and rolled over her body again and somehow it just didn’t stick. When she left, she tried to voice her truth. He took to Facebook and posted pictures. She continued to speak out. He continued to stalk her. All the while, this man was getting up on stage playing a cute little ragtime, talking about how if you don’t provide for your husband’s needs he’ll find 20 other people who will, and, when she was finally separated, seeding it in the congregation’s minds that she was mentally ill and hitting rock bottom. He asked them to pray that she would, in fact, hit rock bottom. And then she was found shot in the head, face down in a river at a state park. Whether that was directly by JP”s hand or not is still under investigation. It would certainly be no surprise. The most chilling thing for me watching Death of The Pastor’s Wife isn’t that it happened, it’s that it didn’t surprise me one bit. In 3 churches and 4 pastors, we had 3 incidences of adultery and embezzlement leading to pastors “stepping down” tearfully after getting caught, but not before veiled and direct threats to staff, character assassination of those who accused them, and worse. What the Death of The Pastor’s Wife misses that I think we should be examining closely is the direct role that evangelical Christianity as it’s practiced today contributed to her death, and the death of so many others. It’s much more comfortable for you to think it only happens in compounds in rural areas with a few men who fancy themselves direct lines to God, but it’s in fact baked into the version of evangelical Christianity that JP Miller came to power in. It’s a system where a woman’s value is directly tied to her purity, and she can cause grown men to stumble because her shorts aren’t down to her knees. Where everyone just shifts in their seats a little upon hearing the pastor’s wife is in a mental facility and reaching her “rock bottom” and prays she’ll get there sooner. Because there is real, immediate danger there.

Screenshot: Voidwood PAX West is happening right now, and while we’re not on the show floor, we got a chance to get a sneak peek of Voidwood, a co-op survival horror game from Santa Barbara Games. Voidwood doesn’t go the same route that a lot of horror games go – with over-the-top gore and disturbing imagery. While it looks (to me) like a stylized version of Stranger Things (sorry) the developers were actually inspired by the film Midsommar by Ari Aster While the playthrough we saw happened over a single day/night cycle–the whole presentation took about 12 minutes–the typical gameplay loop takes place over a series of days and nights. During the presentation the developer explained the typical gameplay loop as “day is for scavenging and crafting. Night is for surviving.” The Steam store page elaborates on this: “By day, you scavenge an inviting, cursed forest. By night, you survive the hunt. Push your luck, go deeper, and speak carefully. The forest is listening.” Screenshot: Voidwood While proximity chat is a hot commodity for co-op games right now–especially horror games–it looks like Voidwood is using it as more than just a gimmick. In fact, using voice can be a liability–with “voice as a liability” being one of the game’s main hooks. Think about it: Most co-op horror is about coordinating through communication. That communication is a liability in Voidwood. Players have to be careful when they speak to each other at night to avoid being killed by the roving monsters. Despite that being explicitly stated, it seemed like the danger started right away for the players in our demonstration, with masked enemies attacking the kids within a minute of starting. While they said voice is a liability, the group never seemed to stop talking. What I can gather: it’s fun to talk–probably because it is dangerous. And Brad did most of the talking. Sorry for calling you out, Brad. Screenshot: Voidwood The sound your character is making is indicated through sound transmission indicators that get larger based on how much sound you’re making. It’s not just for voice, as sound indicators appeared to show when the players were walking as well. Despite this, the team I watched were able to coordinate fending off attackers and looting mats. The daytime consisted of gathering materials like fireflies, mushrooms and other materials to craft bandages, beast repellent and revive potions. Night, it turns out, isn’t just about survival. During the night the eponymous Voidwood seems to become lootable, with 12 pieces of Voidwood needed to complete the ritual and end the level in the demo scenario I watched. Screenshot: Voidwood The one thing from the playthrough that really stood out was that voice made a lot of difference. At one point when the kids were being swamped by monsters, someone yelled “it’s because they can hear you!” “I’m sorry, I’m just scared!” was the reply “Be scared quietly!” That should be the game’s tagline. Screenshot: Voidwood The truncated gameplay only took around 12 minutes, and I don't think they would have gotten through it without the massive amounts of support items the dev seemed to be hoarding. Not that I blame them, because I’m assuming the shortened form made everything more difficult – and definitely more hectic. While the game’s Steam store page promises revelations of secrets about previous kids stuck in these woods, this playthrough didn't give many hints to what that will look like. But I’m definitely intrigued. While I didn’t get a chance to actually put my hands on Voidwood, I can’t wait to. While I can only see Midsommar if I squint, I definitely like the direction the art style–and the game in general–is going. Voidwood is slated for release next year.

It feels good to really love something you’ve been waiting for for a long time. These days it’s been hard to get me on the MCU hype train for any reason, as it felt almost like we were in the last gasps of a franchise that had been THE thing for decades. But I love Spiderman, and ever since Into the Spiderverse, there’s no Marvel main character I want to see more than our friendly neighborhood Spiderman. Now, for a bit of background, I wasn’t a comic book kid growing up other than some Archie and Jughead or Batman once in a while, so I don’t have a depth of knowledge going back to Issue #1 and I certainly didn’t really have a lot of exposure to our webslinging hero outside Toby Maguire and Andrew Garfield’s portrayals before we got to where we are now. Which is a shame, because the whip-smart, quippy, caring Peter Parker/Spidey/Miles Morales isn’t just impressive for brains, brawn and wit, he’s actually literally the people’s hero. He's there when your cat climbs a tree, and he's there when your apartment gets blown up by some rage filled villain. Heck, he's at the bodega you go to grabbing some milk. It's humanizing and grounding and lends a fantastical universe full of superheroes, gods and aliens a sense of reality. I’ve gotta be honest, though. When the movie kicked off with Punisher and Spidey in the midst of a heated argument/action scene, I wasn’t super thrilled. Sure, that’s opening the door for Daredevil to be around the next corner, but I’ve long considered The Punisher problematic. In a world where superheroes are trying to do the right thing and be heroic, I found Punisher to lean way more towards a villain, only in it for “justice” which in his case was mostly revenge. No room for nuance, no time for research. Only kill. And, well, that’s not a world I want to live in, nor a person I want to be around. But, just like with this movie, there’s so much more to it. Let’s get into it. Brand New Day clearly starts on a Monday. Or at least, that’s how it feels. “Previously on” Spiderman, Peter Parker was forced to give up the love of his life to protect her, and worse still, had to make MJ and Ned forget him. This isn’t a small thing for anyone, but this is most of Peter Parker’s world being taken from him and simultaneously paraded in front of him so he can’t heal from it. Not to cross the fandom streams too much, but Peter Parker’s a lot like Miles O’Brien from Star Trek. They both must suffer. It’s not for nothing though - again, it’s part of what makes him who he is, and part of what binds him to his “friendly neighborhood” moniker. He’s not a millionaire, but his parents are dead. And his uncle, and his aunt. He’s just a kid, but he’s seen a lot more than most kids his age. He’s incredibly smart, sure, and had friends like Tony Stark (who he also lost) but at the end of the day, he’s isolated. Peter Parker needs his community the way the community needs him. The place he grew up is the place he connects to the people he loved and lost. Four years after the forgetting, it’s more or less all he’s got, other than the Punisher, who, despite his gruff demeanor and constant bitching, seems to hold some affection for Spider-Man, even if begrudgingly. Not to put too fine a point on the “grounding” nature of the story, but were you to be a masked superhero trying to save lives and not get your identity revealed, your life WOULD be pretty lonely. Even lonelier if all you could do is watch your friends move on to fulfill their big dreams and the person you love make out with some other dude right in front of your face. Add to this some sort of spider puberty and you’ve got a recipe for some severe misery. Misery loves company, and while he’s doing the regular neighborhood patrols like some sort of automaton, we find out there’s a bigger bad lurking in the wings. Sure, Scorpion’s enough on his own while we’re going through spider-puberty, but now there’s something worse, and more insidious - and it’s infiltrating minds, bouncing from person to person - and worse, still - targeting Spiderman. Before long it’s pulling some awful tricks, too. It gets a hold of MJ, and in one of the most heartbreaking scenes I’ve seen recently, lets Peter get that moment he’s probably thought of over and over and over in the last four years - the relief of being remembered - only to have that beautiful reuniting kiss and get it all yanked away. Of course it wasn’t her. And of course, MJ isn’t safe. That’s why the forgetting was so important. Now, where can Spiderman possibly turn? If only there was a hypervigilant friend of his that had a big off the grid bunker in town that’s nigh impenetrable, and if only that person also had a mind so hyperfocused on not letting one more person lose the love of their life the way he did. Oh wait, we know that guy. That’s the Punisher. And what’s the Punisher’s superpower? He’s a combat veteran struggling with PTSD. That’s not a joke, that’s a fact. The Punisher is an elite soldier who has excelled in every area of his training. Not only that, he’s locked in soldier mode because of, you guessed it, massive trauma. Frank Castle believed fully in what he did, and he does it well. But it didn’t keep him from losing the love of his life, and it’s the pain of having that taken away from him that drives almost everything he does. So Spiderman shows up to Punisher’s bunker with MJ. And it’s where I realize so many things that work together so well in this scenario. Peter Parker and Frank Castle aren’t that different at this point. Both are lonely, in immense pain, and still want to believe in their power to stop bad things from happening to innocent people. Peter brings MJ there because he knows that Castle will understand that protecting MJ is of the highest priority, and while he might not be the best host, he is the absolute best person on the planet to keep her safe. You can see the pain returning to his eyes when he understand what he has to do, and the flash of fear that he might not be able to do it, but there’s nothing in the world that will stop him from trying. Meanwhile, Spiderman’s off to figure out what he can do about his spider-puberty. At this point Peter’s fully rejecting the changes the spider evolution is bringing, and his own attempts to control it are failing. He needs someone brilliant who can understand why he’d need to essentially handicap his own powers - and someone who understands the burden of needing to do so. And of course, that can be no one other than The Hulk - or Bruce Banner. Now Banner’s teaching university, and he’s also got the limiter thing pretty well worked out. And here’s another perfect thing about this story involving the Hulk: He’s suffering, too. Bruce Banner carries the weight of his own strength and power and the loss of control he experiences every time he “hulks out.” It’s a power borne of anger, and it means that he completely loses himself to use it. He’s an unstoppable force, even to his own mind. He created the inhibitor so he could have some semblance of control over it. Unfortunately, the telepath manages to break that, using her powers to get him to take off the Inhibitor, and we get a fully triggered, full power Hulk. Now, The Hulk wasn’t a character I knew much about either until I was brought into the comic lore and MCU lore by my partner, but what I’ve come to know is it’s TROUBLE when the Hulk is hulking out, and he’s near impossible to stop. It’s at this point I think it’s prescient to point out that Spiderman often gets the short end of the stick as far as superheroes go. His moniker tends to do him a little wrong, I think. And perhaps his age. I know that sometimes casual fans see him as a smart kid who got bit by a spider and got some powers, but the truth about Spiderman is that he’s not just a smart kid. He’s brilliant. He’s got ideas that rival Bruce Banner’s, and Bruce Banner, by the way - also a genius, in any form. Not only that, but Spiderman has a healing factor, and is INCREDIBLY strong. Like, if there’s any chance of someone putting Hulk back in the bottle, so to speak, it’s gonna be Spidey. And that leads me to this: Brand New Day does a great job of tailoring everything around Spiderman and what he truly is. The problems that arise require everything that makes Spiderman special, from his “friendly” nature that allows him to work within the city and have some help from shop owners, law enforcement and beyond, to his brilliance in being able to create and tweak an inhibitor with a little help from his friends. This isn’t a movie that just throws bad guys out in front of him for fun - it’s well thought out. After the argument that led Frank to reveal to Spiderman and MJ that he had lost someone very close to him, MJ continues to peel back the layers and manages to convince him to go out and help Spiderman face the Hulk. And I think the only reason it takes convincing is that he’s concerned about leaving MJ, but as we said before, his bunker’s a pretty safe place to be. Here’s where my heart grew three sizes for The Punisher. Frank Castle vs. The Hulk. Because remember, The Punisher is a man. His super power is soldier, and I think if you’ve had the privilege of knowing an infantryman, you know that that is also not a joke. He’s highly trained, incredibly smart and capable, and has an unbreakable will. He’s there to fight until the very end, and he absolutely will not be stopped. The Hulk, by contrast, is an incredibly powerful superhero, and he’s bulletproof. Which means that almost nothing Frank Castle has in his arsenal will do anything at all to him. But Frank Castle never once even thinks of himself - he’s there to protect his friend, to protect MJ, and to help The Hulk, and he will stop at nothing to do it. Then again, neither will Spiderman, and he eventually is able to convince him that they’re friends, and he’s able to snap him out of it. Somewhere along the way, we get the big reveal of the whole movie - we’ve been dealing with Jean Grey. Just before she’s about to kill Metzger, he intervenes with an inhibitor, just in time to save him, and as she’s wheeled away she mutters “Sara…” Back at the bunker, we find out that MJ found Peter’s letter, and he has this second chance, it seems, to have something with her. After the cruelty of Grey’s trick earlier, it feels like this will be a great moment, but it’s dashed on the rocks with the simple reality that MJ just doesn’t remember any of it. She doesn’t remember the good times, the bad times, or any times, and worse, she has no feelings for him. In one of the most heartbreaking scenes in any Marvel movie, he silently swings her through the city and back to her place, where he’s able to “meet” Ned, who’s excited, but tragically, and logically, doesn’t remember knowing him. Through a random mention of not remembering anything when Jean possessed her, MJ helps Spiderman realize there’s a lot more to the story that Metzger was lying about, and through Yelena he finds out that Sara was Grey’s sister, and Jean had to watch DODC cart her away. Now that we know DODC are the bad guys, he realizes she’s in danger and heads off to help. Metzger’s got Jean Grey strapped to a chair and is performing experiments on her - trying to see how far her range goes. While in the room, Grey realizes that the V-Max we’ve been chasing the entire story was simply a part of the ventilation system in the room where her sister had been trapped, experimented on and killed, and, well, she goes into a white hot rage, which for Grey, means world burning. She sends a wave of psychic energy through the entire city that essentially freezes everyone in place. Except Frank, who’s out of range and equipped with a sniper rifle, and except Spiderman, who’s taken off his inhibitor and finally accepted the enhanced genes the spider part of him has brought with it. After dealing with The Hand, he’s faced with Jean, who’s got shards of glass all pointed at Metzger, ready to shred him to pieces in an instant. And here’s where it all comes together. Every single person in this story has suffered greatly. Every single one has been taken down by PTSD and trauma, and felt alone, angry and scared. They’ve fought through and struggled and are all standing at this precipice. There’s a million ways this could go down, and one of them’s a bullet, but it’s at this moment that Peter Parker solves the problem as the “friendly” neighborhood Spiderman. He lets Jean in his head, despite the risk, and instead of showing her the pain and suffering so she’ll know he’s on her side, he gives her the gift of a moment of understanding, acceptance, love and comfort that he received from his Aunt May. He gives her the love she was missing, and this? Absolutely broke me. He could’ve done anything. There were so many ways to solve this puzzle,but he does it by showing her she’s not alone, and that there’s healing. She backs down, but Frank, having not got the message, fires the shot that would kill her. And Spiderman? Well, he takes that shot himself. And while he does have a healing factor, this is as close as he’s come to death. He’s down for the count, and the city mourns the loss - until he wakes up, Frank Castle at his side, as he has been. The whole time. The whole city’s got the news he’s back and better, and instead of letting it end with a final Spiderman swingout, Frank wears the mask and gloves and takes on the “hero” role so that Peter can slip out into the crowd and finally get to experience the love the city has for him. He sees Ned and we get a glimmer of hope that the memories can return when he’s able to recall their secret handshake, and then, with a promise of Spiderman in space, we roll out. This movie isn’t just a great Spiderman movie - it’s a great film. The MCU has been churning these out for years, and while they’re worth a bucket of popcorn and some face paint most of the time, I feel like especially lately, they’ve lost the gravitas. Until now. Spiderman: Brand New Day is firing on all cylinders. The villains are specifically tailored to show off Spiderman as he’s rarely been shown - in true to form brilliance, strength and character. But it’s also about something more important - loss, suffering, trauma, and how we as individuals process it, for better or worse. It’s about reaching out to others who are suffering and being willing to be vulnerable, learning to care and trust again, and fighting alongside folks in good faith for the greater good. It’s about letting people know they’re not alone, and giving them love they so desperately need even in a moment it feels like they’re unsaveable. And that is epic, and beautiful, and something I think Stan Lee would be proud to see his name behind. Yeah, it’s a superhero story. But it’s also a human story. And it’s something I’ll take with me for a long time because of it.

Screenshot: Marsupilami 2: Salsa Palombia Before I played this game, I had no idea what a marsupilami was. I thought it was a novel character created by developer Ocellus Studio for their Donkey Kong Country-like Marsupilami: Hoobadventure, and that Marsupilami 2: Salsa Palombia was just its follow-up. It turns out, in fact, this is a character that has been long established. Which, honestly, is a bit how my Moomin knowledge was before I played Winter’s Warmth. I guess if it’s not a video game, I just don’t really know about it. Which is a bit ironic because I didn’t really catch Marsupilami: Hoobadventure when it first released to fan and critical acclaim–if not big sales numbers. But now that I’ve had a chance to spend some time with marsupilamis (marsupilamii?) Punch, Twister, and Hope I’m glad I discovered these strange creatures. Marsupilami 2: Salsa Palombia is a side scrolling Donkey Kong Country flavored sidescroller. That means precision platforming, and lots and lots of collectibles. And that’s exactly what Marsupilami 2 delivers. Now with added co-op! And while I want to mention the drop-in/drop-out co-op, I didn’t actually have a chance to test it out before this review. There are also obstacles that can only be overcome by one of the three characters, occasionally requiring you to switch between them as you play. Screenshot: Marsupilami 2: Salsa Palombia Each of the three characters have their own abilities. Twister can do an air dash and hover like Tails from Sonic the Hedgehog. Punch can turn into a giant bouncy ball that is immune to spikes and Hope can bounce on purple enemies without taking damage. You have control over two predetermined characters in each level, which is a bit of a bummer. I would have loved to be able to choose who I wanted to take. All characters have a long tail that can help them hook onto specific grab points and swing or ride. While Donkey Kong Country was obviously an inspiration for Marsupilami 2, I can’t help but sense there’s a bit of Crash Bandicoot and other old school platformers thrown in. Maybe it’s just the island theme, especially with one of the main collectibles looking like mangos. The game just calls them ‘fruit’ and they serve the same function as the bananas in Donkey Kong Country. If they stuck closer to the original 1950s source material, the marsupilamis would be eating piranhas instead. Or also. Palombia, the fictitious island chain where Marsupilami 2 takes place has four distinct zones, each with its own hazards and end boss. Each level is not only packed full of collectibles, but also has a challenge inside that is itself a secret to find. On top of that, there are competitive battle dojos for each zone which provide a further set of challenges to conquer. There is also a dedicated speedrun (ish) mode called Flow Mode where you have to clear a series of trials quickly, and without dying. Screenshot: Marsupilami 2: Salsa Palombia While Salsa Palombia invokes that Donkey Kong Country feel, it doesn’t feel as difficult (outside of its challenge modes). Don’t get me wrong: Marsupilami 2 is a difficult sidescroller worthy of being compared to DKC, but it just never gets to the white knuckle intensity as its inspiration does. Maybe I’ve skilled up considerably since I’ve played Donkey Kong Country Tropical Freeze, but I feel like I was breezing my way through sections of Marsupilami 2 that looked like they should have been more difficult. Not that it’s an easy game, especially when it comes to some of the challenges. I’m glad I got a chance to play through Marsupilami 2: Salsa Palombia–it’s my favorite platformer this year. It’s a game that is tough enough for anyone to play, but wholesome and friendly in a way that you rarely see outside of Nintendo games. In fact, if you told me that Marsupilami 2: Salsa Palombia was a new Nintendo IP, I’d believe you.

Screenshot: Boil Cabbage Make Soup Look at that guy. This little Onion just wants to do one thing, and that’s boil cabbage and make soup. (Is that two things? Or is it one process? This idle game is a cute (if somewhat spastic) desktop companion Onion that does nothing but make soup, spasmodically dance, and feed hungry travellers. The idea behind an idle game is that you don’t really do anything. You can choose upgrades for your little guy, but you can also leave him be for hours as he goes about his tasks. Harvest cabbage, stir the pot, and serve the customers. Screenshot: Boil Cabbage Make Soup There have been a lot of great idle and clicker style games, and while Boil Cabbage Make Soup is incredibly cute and endearing, it doesn’t really do much to set itself apart from its competition. In fact, even for an idle game it can feel a bit hollow. Some idlers are great because of how they scale. Boil Cabbage Make Soup doesn’t really feel like it scales up to huge levels–even when you go from a few customers every few minutes to a few customers every few seconds. As you serve customers their boiled cabbage soup, you’ll be making money that can go towards various upgrades. You can upgrade your Onion’s stats–like how fast he moves, and how much soup he can make at once–as well as upgrade your home island’s soup production. Some of the upgrade choices aren’t exactly clear as to what they actually do. “Cosiness” for instance just “makes your farm more cosy” but never actually says what that does beyond “This helps the onion relax more and feel less stressed.” I dumped a bunch of points into that, so I hope he’s living his best life. Screenshot: Boil Cabbage Make Soup Customers can also drop tickets as they pass by your soup stand. These tickets can be turned in for items that you can use to customize your island. While most of the customization choices are just fine, none of them were truly coveted or stood out. That brings me to the bigger discussion about the game’s art style. While I appreciate its strange, surreal style, it’s not a very good looking game. It reminds me of a 90s game, like Neverhood or something like it–though this isn’t claymation like that was. Screenshot: Boil Cabbage Make Soup There is a multiplayer component, too. I never got to test it, but ostensibly you can visit your friends' islands and watch each other’s Onions. I guess you have to be into that sort of thing. Progression in Boil Cabbage Make Soup is so same-y I can’t imagine the joy of multiplayer would go beyond “oh, you have a different hat than me.” Boil Cabbage Make Soup is a great impulse buy. At 4 bucks it’s priced a little bit out of my “why not?” range, but it’s not a terrible idler. I would have loved to see it scale up into a vast soup producing empire, or something else that is fun and surreal (to match the tone.) But I’ve had joy watching that little dude on my monitor for the last few days, and I guess that’s worth it.

Screenshot: Twisted Tower I’ve been playing first person shooters for a long time. I was right there at the birth of the genre, playing some of the very first FPS games on the very first hardware. I’ve played lots of great FPS games, and even more terrible ones. Twisted Tower sits on the lower end of the spectrum, despite having a ton of initial promise. Twisted Tower is a first person shooter that is based around a 1950s (ish) theme park (er) themed tower. It obviously takes some inspiration from Bioshock (confirmed by a note on their Steam store page) and other 2000’s or earlier first person shooters. It has a diverse roster of enemies, multiple floors full of themed levels to conquer, and a whole arsenal of weapons to shoot. And right when I started it up I had the feeling that I was in for a solidly “okay” first person shooter. But let’s not kid ourselves. Screenshot: Twisted Tower I have to give some kudos to the character design for the game’s key art. There is something about it that seriously invokes 90s computer game graphics. This continues on into the game’s few cutscenes. They’re delightfully low res to sell a pseudo retro, almost boomer shooter feel. Similarly, the actual design of the game is pretty great. While the evil mascot schtick is over done in general, it’s not used terribly here. And it fits into the theme better than it does in most other games. While the mascots themselves aren’t particularly terrifying, they (again) invoked a Bioshock sort of Splicer feel. If the mascots roamed around while muttering and yelling at themselves it would have locked it in completely. The levels themselves are designed well, too. There is enough variation in the design for me to think “wow, this is new” on occasion. Also, naming a gun “Ms. Fire” is not only brilliant, but when you’re out of ammo, a little flag comes out that says “Bang!” Screenshot: Twisted Tower Delightful. And I mean that. I love that. Now that I frontloaded most of what I liked about the game, I can talk about what I don’t think worked. Enemy behavior and placement is all messed up. Most enemies are practically the same with different weapons. The enemy economy is also very strange. Enemy distribution feels completely random in some cases, like the developers were just like “yeah, let’s just throw in a few more guys here.” I’m sure every game does it, but Twisted Tower definitely did it. There are a few clever enemy placements here and there, but most enemy encounters are uninspired, or enemies come at you in waves after you get locked into a section. Screenshot: Twisted Tower Even the worst shooters can be redeemed by some good weapons. Sadly, there isn’t a gun in Twisted Tower I can say I enjoyed,though I really appreciated the design behind many of the weapons. One weapon is loaded with marbles and is fired via a pinball machine type contraption. Another is a slingshot with a magnifying glass. And there was the previously mentioned Ms. Fire. But these guns aren’t fun to shoot. And it feels like there are too many of them, with too many types of ammo. It’s like the developer made a specific number of guns to fill a quota instead of figuring out what’s actually good. Twisted Tower is not a very difficult game. Nor is it a very long game. I would not have died once, if it wasn’t for instant death on falling. I managed to complete my entire first playthrough in under four hours. There is an option for a new game plus that offers alternate routes, but the fact is I couldn’t stomach another go at it, even if I was determined to see it through. Screenshot: Twisted Tower Once was enough. I wish I would have liked Twisted Tower with its strange mix of carnival terror, and random vulgarity. Sadly, even its plot–told in random recordings and other scattered missives–does nothing to help the game. There are lots of clues in the story that don’t really pay off, and the final “twist” ended up being dreadful, and not the scary sort of dread, either. Instead it’s a weird tonally dissonant blending of vulgarity and horror that doesn't land, and makes the entire bad game even worse for it. There are so many better first person shooters. Go play those. Don’t play this.

Screenshot: Moonlighter 2: The Endless Vault Moonlighter 2: The Endless Vault is approaching 1.0, and I got a chance to play the final build ahead of release. And while I didn’t really enjoy the first Moonlighter, I got weirdly addicted to Moonlighter 2. Anyone who was a fan of the first will find little in this game beyond a continuation of the story and fleshing out of lore. A lot of reviews will (and have) go over the differences in the two games–from the art style, to the adoption of Hades style combat–but I’m going to avoid making any comparisons and talk about Moonlighter 2 on its own–for all it does well, and all it ends up fumbling. While my initial impressions of Moonlighter 2 weren’t great, it had an insidious way of making me want to keep playing. While I felt the first game juggled two disparate systems (shopkeeping and dungeon delving) and made neither one enjoyable, I at least enjoy aspects of every bit of Moonlighter 2, even if I don’t like it all. Screenshot: Moonlighter 2: The Endless Vault In Moonligher 2 you play as the same enterprising adventurer from the first game, Will. After the events of the first game, Will and the people in his town were forced out by an interdimensional collector named Moloch. Forced to start over again in a different dimension and a new town, you have to fight through new dungeons and sell acquired relics to fuel upgrades that help you adventure further. Rinse and repeat. Moonlighter 2 is played in basically two phases: a roguelite combat phase where you choose a route, battle, resolve events, etc. until you either choose to leave or beat the boss at the end of the dungeon. After that, you go back to town for the second phase, where you talk to townsfolk, upgrade your shop and accouterments, and then sell all the crap you acquired while in the dungeon. Simplified a bit, but that’s how it goes for the most part. There’s also an inventory minigame that changes based on what dungeon you’re in (and therefore, what relics you’re collecting). Screenshot: Moonlighter 2: The Endless Vault Again, I’m not going to spend time making comparisons, but Moonlighter 2 made some significant changes to the way it handles dungeon exploring and combat. Moonlighter 2 works in a way a more traditional roguelike/roguelite would work: you can see what path leads to what rooms, and choose accordingly. There is, of course, combat. But there are rooms that give you upgrades for that run, events to add a bit of risk/reward, and more. I actually didn’t have a problem with this system, except for the way it’s presented to the player. It might not matter to some, but I felt like traversal between different rooms was contrived. I would almost have preferred just normal doorways than the multitude of ways that our protagonist travels between rooms–which is different depending on the dungeon you’re in. I don't change anything about the game mechanically, I just think it’s an inelegant addition that takes away immersion for me. Functionally, however, it changes little about the actual game itself save for adding a visual style to a loading screen. But I hate it. Screenshot: Moonlighter 2: The Endless Vault Combat itself is done well enough. I heard Moonlighter 2’s combat described like Hades “but worse.” I don’t really agree with that. To dodge yet another comparison, I’ll just say: Moonlighter 2 does a great job at combat. Character movement feels tight and responsive. The weapon varieties all feel unique and satisfying–even if upgrading/unlocking higher tiers of those weapons can be a bit cryptic. And there’s a fantastic variety in enemies, both visually and behaviorally. Each world has a variation (think: day/night) and there are even enemy variants for these that change up known enemies just enough to make them interesting and dangerous again. I’m not always a fan of how attacks are telegraphed by enemies. Sometimes I feel like I’ll be eagle-eye watching an enemy just to be somehow surprised by an attack I missed. I learned the enemy behaviors eventually, but I felt like I wasted a lot of good runs for dumb reasons. And of course, healing items are scarce and non replenishable (without an expensive upgrade) so every hit hurts. Screenshot: Moonlighter 2: The Endless Vault As far as in run upgrades, this is where I think Moonlighter 2 had me hooked. Sometimes I would get a great set of upgrades that stack well and absolutely crush everything in sight. Unfortunately, there isn’t much in the way of synergizing builds. Instead, it seems like stacking abilities with similar abilities (like ignite with ignite, foam with foam) is preferred instead of finding a few that work well together. This isn’t necessarily a bad thing, but it takes away a lot of fun discovery that I have had with other similar games in the past. Shopkeeping in Moonlighter 2 is its own entire game, practically. Which is to be expected. Even though shopkeeping probably won’t take as much time as dungeon crawling, it is arguably more important. The system is simple: set prices that your customers like. If they like it enough you get a tip. Each shopping day is like a run through the dungeon, and you even get an opportunity to get perks that can get you more money as the shopping day goes on. That’s not to mention the furniture, display cases and other upgrades that bestow their own bonuses. While you start off with a modest little shop, it can eventually become a huge shopping center Screenshot: Moonlighter 2: The Endless Vault Meta progression depends a lot on how much money you make in your shops, not necessarily how good you are at combat. If you’re not savvy, it can take you a bit longer to get through the monetary requirements brought on by the demands of the Endless Vault–both a character and a concept here. Of course, being smart about what you upgrade and how can go a long way towards progression. For instance, there's a character that upgrades your inventory–and if you do that, then you can bring more items from the dungeon to sell. Upgrade your shop and display cases, and you can get more money coming in from the bonuses those provide, too. But that brings me to a complaint I have even after spending a couple dozen hours playing Moonlighter 2–there are almost too many vendors and NPCs that you need to keep track of. Thankfully they all use the same currencies–for the most part. But more often than not if I was missing a specific ingredient, I figured I’d run across it eventually. There’s also an in game codex that helps keep track of everything, if you’d rather be proactive and informed. Screenshot: Moonlighter 2: The Endless Vault Another complaint is one that is echoed from the first game: the grind. I know this is another comparison, and I’m sorry. But Moonlighter 2 feels like there is just so much you have to do and sell just to unlock the next challenge from The Endless Vault. On the other hand, there are so many different progression systems in place, it feels like you’re always moving forward a bit so you’re never at a total standstill. And while some progression systems in the game feel fun and meaningful, others don’t really make sense. For instance, you don’t craft better versions of things most of the time–just different versions. You don’t get armor that gives you more defense or upgraded stats, you just get one or two random boosts. Like one piece of armor allows you to mitigate one hit from the boss for free. One hit. From the end of run, boss. That’s it. Screenshot: Moonlighter 2: The Endless Vault I wish I could tell you that Moonlighter 2: The Endless Vault is a great follow-up to the original game. It’s a great game in its own right, but I have a feeling it will continue to alienate players that were looking for more of what made the first game special. Still, Moonlighter 2: The Endless Vault is fantastic in its own right. Moonlighter 2: The Endless Vault releases into 1.0 on September 2nd

Screenshot: PixArk I’ve never played PixArk before now, but I have played Ark. And while I know it has a cult following and established fanbase, I never saw the appeal. I wrote a review for Ark back when it hit 1.0 and the entire game felt waterlogged. Bloated and cumbersome, like something that is overcomplicated and literally slow because of how badly optimized it was. But I have to admit that premise is compelling, and I love me some open world sandbox games with breadcrumb stories. Subnautica is one of my favorite games ever, and I have some cherished memories from playing The Forest. PixArk does what Ark set out to do, but mixed in with Minecraft blockiness that makes all of the cumbersome elements feel–well, like they all fit neatly together. Screenshot: PixArk I’m just saying that PixArk is definitely a more palatable version of Ark–at least to me. I don’t need photorealistic graphics and jank for a good time. Developer Snail Games took Studio Wildcard’s classic game and made it less janky and more fun. You still have dinosaurs and animals to tame. Though there is a lot of competition in the block building video game landscape because games like Hytale and, well, Minecraft remain popular. I played PixArk long ago when it first released, and I remember my impression was generally favorable. It has the mystique and allure of Ark, so there’s more out there than just endless procedural generation. Screenshot: PixArk Terracrypt leans into that even more with a whole new story, and new bosses to fight, new biomes, and secrets to uncover. And there’s a lot of story and secrets to uncover as you make your way deeper into the underground depths of Terracrypt. Terracrypt is the first paid expansion for PixArk, and adds almost a dozen new bosses, just about as many biomes, and a whole bunch of new stuff to discover. There’s also a narrative trail to follow as you uncover the mysteries of the underground world you find yourself trapped in. Terracrypt, I should say, is a separate experience from PixArk. I would have much preferred it to be a new world, or section of world to visit with an established character. I mean, if I had one. So Terracrypt is a great entry point for those just starting out and wanting to check out PixArk (or you can play the base game while it’s still free for the next few days). Screenshot: PixArk But Terracrypt it’s its own experience divorced from the base game from beginning to end.I would love to tell you that, in the five or so days that I’ve had access to Terracrypt I managed to get through the story and tell you all about it. But I think I’ve barely scratched the surface. Another new addition with Teracrypt is the ability to automate base functions. Terracrypt has base automations built right into the tech tree. This is the first for an Ark game, and adds a little Satisfactory (or Factorio if you prefer) into the mix of flavors. Screenshot: PixArk Terracrypt is available today

Screenshot: Debate and Switch Recently, I had the chance to test out a couple of Jackbox party games from the upcoming Jackbox Party Pack 12, which is releasing in October this year. For this preview, I sat down (digitally) with some Jackbox crew and a few of my peers to play a match each of “Debate and Switch” and “Hyperface.” First off, I have to get this out of the way: “Debate and Switch” is itself, a bit of a bait and switch. See: “debate and switch” is an established TV Trope, and it usually refers to a morally hard choice that is somehow undone or made moot by other actions. I’ll borrow an example from tvtropes.com: A man needs lifesaving medicine for a loved one. He decides to rob a pharmacy to get it, but before he can, he wins the lottery. Moral choice undone. This is not what “Debate and Switch” is, unfortunately. It turns out it’s a more traditional debate with a few twists. Bummer, but it could be fun with the right group. And while there were some lively debates in my group, sadly, I am not only a terrible debater, but I was suffering from some technical issues, which is awkward for a technology writer. By the way, it turns out if you can’t speak, you can type your answer. That’s handy! Though I don’t know if I can type out my whole platform in a mere 30 seconds… Screenshot: Debate and Switch However, I digress. “Debate and Switch” is all about debating made up scenarios. 2-8 players take to the debate stage and debate topics like (and these are taken straight from the Jackbox Games website about the game) “All menus need photos of the food on them” or “The high school mascot should be really, really scary.” The second round of debate changes things up a bit–literally. Players have the ability to switch out a word in the debate prompt. For instance, we were given the prompt “Spelling Bees should have physical challenges” (or something) and I changed it to “Spelling Bees should have metaphysical challenges.” Come on, I’m funny. Validate me. Sadly, I was arguing in the “against” column and got rolled. But I will have my revenge, as I’ve been honing my debate skills for the inevitable release of Jackbox Party Pack 12. At least “Hyperface” went a little better for me. Wait, no it didn’t. This time I was paired off against an absolute artist. See, “Hyperface” requires a bit of artistic skill to elicit the requisite laughs, and therefore votes, to win the game. You can take a selfie, or use stock photos, and you have three rounds to manipulate the face into a clever approximation (or interpretation) of the prompt. Like, “your face after you tell a bad joke at a party” or something similar. Despite my attempts at being clever, it turns out someone who puts the entire editing time of nearly three minutes to full use instead of smudging the face into a squint and drawing some lines to show expression would succeed. But it’s not just that, she was a genius and showed the absolute blast “Hyperface” can be with a dedicated group of artistic friends. Sadly, I don’t think this would go over great with my group. If we were playing “Hyperface” I could manipulate a face to look incredibly (and cartoonishly) disappointed that we’re playing a photo editing game. Okay, it sounds like I’m being harsh on it but I’m really not. “Hyperface” was one of the highlights of what I saw during my press preview, and has me excited for Party Pack 12. Especially since it lets you get really creative, with a whole range of brushes that let you draw, grow, shrink, smudge and distort to your heart’s content. Jackbox Party Pack 12 is coming October 15th to PS5, Xbox Series X|S, Nintendo Switch 2 and PC. Also keep a look out for Trivia Murder Party III coming to Steam Early Access September 17th.